Friday, 28 June 2019

Daily Crunch: Jony Ive is leaving Apple

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1. Jony Ive is leaving Apple to launch a new firm

The man who won over decades of Apple fans with iconic product design and his pronunciation of “aluminum” is out at the company.

The executive will begin transitioning away from Apple at the end of 2019, launching a new project titled LoveFrom next year. In a press release, Apple noted that it will remain a client of his new design firm.

2. Amazon launches Counter in-store pick-up in the US, starting with 100 Rite Aid locations

The longer-term plan for Amazon is to expand the pick-up option to 1,500 stores (including non-Rite Aid partners) by the end of 2019 — a very quick ramp-up in the next six months.

3. Google Maps can now predict how crowded your bus or train will be

This is a new prediction technique Google has been perfecting for over half a year. Starting in October, the company began to ask Google Maps users who traveled between 6am to 10am for details about their journey.

4. Apple’s Sidecar just really gets me, you know?

Darrell has been trying out Sidecar, the feature that lets you use an iPad as an external display for your Mac — and he says it’s just about everything you could ask for.

5. Niantic is throwing a Harry Potter: Wizards Unite fan festival this summer

Niantic has been doing in-person “anomaly” events around the world for their first title, Ingress, for years, and the company has also held dozens of real-world events for Pokémon GO.

6. My six months with $30/month email service Superhuman

A $30-per-month email service capturing the adoration of investors and founders in Silicon Valley is perhaps an unsurprising story in a subscription-obsessed landscape, yet we’re only now hearing how stealth-y startup Superhuman has captured major funding.

7. The rise of the new crypto ‘mafias’

Drawing on the idea of the “PayPal mafia,” this article examines the formation and flow of talent within the crypto landscape today. (Extra Crunch membership required.)



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Apple’s Sidecar just really *gets* me, you know?

With the rollout of Apple’s public beta software previews of macOS and the new iPadOS, I’ve finally been able to experience first-hand Sidecar, the feature that lets you use an iPad as an external display for your Mac. This is something I’ve been looking to make work since the day the iPad was released, and it’s finally here – and just about everything you could ask for.

These are beta software products, and I’ve definitely encountered a few bugs including my main Mac display blanking out and requiring a restart (that’s totally fine – betas by definition aren’t fully baked). But Sidecar is already a game-changer, and one that I will probably have a hard time living without in future – especially on the road.

Falling nicely into the ‘it just works’ Apple ethos, setting up Sidecar is incredibly simple. As long as your Mac is running macOS 10.15 Catalina, and your iPad is nearby, with Bluetooth and Wifi enabled, and running the iPadOS 13 beta, you just click on the AirPlay icon in your Mac’s Menu bar and it should show up as a display option.

Once you select your iPad, Sidecar just quickly displays an extended desktop from your Mac on the iOS device. It’s treated as a true external display in macOS System Preferences, so you can arrange it with other displays, mirror your Mac and more. The one thing you can’t do that you can do with traditional displays is change the resolution – Apple keeps things default here at 1366 x 1024, but it’s your iPad’s extremely useful native resolution (2732 x 2048, plus Retina pixel doubling for the first-generation 12.9-inch iPad Pro I’m using for testing), and it means there’s nothing weird going on with pixelated graphics or funky text.

Apple also turns on, by default, both a virtual Touchbar and a new feature called ‘Sidebar’ (yes, it’s a Sidebar for your Sidecar) that provides a number of useful commands including the ability to call up the dock, summon a virtual keyboard, quickly access the command key and more. This is particularly useful if you’re using the iPad on its own without the attached Mac, which can really come in handy when you’re deep in a drawing application and just looking to do quick things like undo, and Apple has a dedicated button in Sidebar for that, too.

sidecar2

The Touchbar is identical to Apple’s hardware Touchbar, which it includes on MacBook Pros, dating back to its introduction in 2016. The Touchbar has always been kind of a ‘meh’ feature, and some critics vocally prefer the entry-level 13-inch MacBook Pro model that does away with it altogether in favor of an actual hardware Escape key. And on the iPad using Sidecar, you also don’t get what might be its best feature – TouchID. But, if you’re using Sidecar specifically for photo or video editing, it’s amazing to be able to have it called up and sitting there ready to do, as an app-specific dedicated quick action toolbar.

Best of all, Apple made it possible to easily turn off both these features, and to do so quickly right from your Mac’s menu bar. That way, you get the full benefit of your big beautiful iPad display. Sidecar will remember this preference too for next time you connect.

Also new to macOS Catalina is a hover-over menu for the default window controls (those three ‘stoplight’ circular buttons that appear at the top left of any Mac app). Apple now provides options to either go fullscreen, tile your app left or right to take up 50% of your display, or, if you’re using Sidecar, to quickly move the app to Sidecar display or back.

[gallery ids="1850048,1850047"]

This quick shuffle action works great, and also respects your existing windows settings, so you can move an app window that you’ve resized manually to take up a quarter of your Mac’s display, and then when you send it back from the Sidecar iPad, it’ll return to where you had it originally in the same size and position. It’s definitely a nice step up in terms of native support for managing windows across multiple displays.

I’ve been using Sidecar wirelessly, though it also works wired and Apple has said there shouldn’t really be any performance disparity regardless of which way you go. So far, the wireless mode has exceeded all expectations, and any third-party competitors in terms of reliability and quality. It also works with the iPad Pro keyboard case, which makes for a fantastic input alternative if you happen to be closer to that one instead of the keyboard you’re using with your Mac.

Sidecar also really shines for digital artists, because it supports input via Apple Pencil immediately in apps that have already built in support for stylus input on Macs, including Adobe Photoshop and Affinity Photo. I’ve previously used a Wacom Cintiq 13HD with my Mac for this kind of thing, and I found Apple’s Sidecar to be an amazing alternative, not least of which because it’s wireless and even the 12.9 iPad Pro is such more portable than the Wacom device. Input seems to have very little response lag (like, it’s not even really perceivable), there’s no calibration required to make sure the Pencil lines up with the cursor on the screen, and as I mentioned above, combined with the Sidebar and dedicated ‘Undo’ button, it’s an artistic productivity machine.

The Pencil is the only means of touch input available with Sidecar, and that’s potentially going to be weird for users of other third-party display extender apps, most of which support full touch input for the extended Mac display they provide. Apple has intentionally left out finger-based touch input, because Mac just wasn’t designed for it, and in use that actually tracks with what my brain expects, so it probably won’t be too disorienting for most users.

When Apple introduced the 5K iMac, it left out one thing that had long been a mainstay of that all-in-on desktop – Target Display Mode. It was a sad day for people who like to maximize the life of their older devices. But they’ve more than made up for it with the introduction of Sidecar, which genuinely doubles the utility value of any modern iPad, provided you’re someone for whom additional screen real estate, with or without pressure-sensitive pen input, is something valuable. As someone who often works on the road and out of the office, Sidecar seems like something I personally designed in the room with Apple’s engineering team.



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Thursday, 27 June 2019

Apple Music surpasses 60 million subscribers

Today’s major Apple news may be the departure of its design guru Jony Ive, but the even as the company stomachs the executive loss, their software plows ahead. Today, in an interview with French news site Numerama, Apple honcho Eddy Cue revealed that the number of Apple Music subscribers has now climbed to 60 million.

The company seems to give updates every time it surpasses another additional 10 million subscribers, we last heard that they had crossed the 50 million mark back in April.

Now, the company’s music service is well past the halfway market in its mission to surpass Spotify which currently has 100 million subscribers.



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Jony Ive is leaving Apple to launch a new firm

The man who won over decades of Apple fans with iconic and his pronunciation of “aluminum” is out at the company. Sir Jonathan Paul “Jony” Ive told The Financial Times today that he’s leaving the company after 27 years. 

Ive led a design team that created an army of consumer electronics’ most iconic devices, including the iPhone, iPod and various Mac products. The executive will begin transitioning away from the company at the end of 2019, launching a new project titled LoveFrom next year.

Apple confirmed the move in a press release, noting that it will remain a client of his new design firm.

“Jony is a singular figure in the design world and his role in Apple’s revival cannot be overstated, from 1998’s groundbreaking iMac to the iPhone and the unprecedented ambition of Apple Park, where recently he has been putting so much of his energy and care,” said Tim Cook said in the release. “Apple will continue to benefit from Jony’s talents by working directly with him on exclusive projects, and through the ongoing work of the brilliant and passionate design team he has built. After so many years working closely together, I’m happy that our relationship continues to evolve and I look forward to working with Jony long into the future.”

Ive echoed the sentiment in the interview, telling the site, “While I will not be an [Apple] employee, I will still be very involved — I hope for many, many years to come. This just seems like a natural and gentle time to make this change.”

No immediate replacement has been named for Ive, who joined the company full time in September 1992. Apple’s Chief Design Officer first made a name for himself at the company with the design of the PowerBook while still at the London-based design firm, Tangerine. In recent years, he had increasingly become one Apple’s most prominent faces, regularly appearing in design videos for the company.



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The rise of the new crypto “mafias”

In the early 2000s, journalists popularized the term “PayPal mafia” to describe the PayPal founders and employees who left to start their own wildly successful tech companies, including Peter Thiel, Reid Hoffman, and Elon Musk. Drawing from that idea, this article seeks to cover the formation and flow of talent within the crypto landscape today.

The crypto world is in a constant state of flux, with new startups entrants joining the industry every single day. These new startups have the potential either to be superstars within a portfolio company or to start the next Coinbase. Additionally, there are already impressive spin-outs from some of the more established crypto companies.

For ease of framing, I’ve separated these early-forming mafias into four categories: CryptoTechWall Street, and Academia. Since 2009, there have been 186 spinout companies originating from those four categories (33% from Academia, 28% from Crypto, 24% from Tech, and 15% from Wall Street).

crypto mafias

Obvious but important disclaimer: this article does not intend to promote organized crime within crypto.

Criteria



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Wednesday, 26 June 2019

NTWRK moves into live IRL events

NTWRK, is a fascinating experiment in live video shopping for the iPhone set. It’s been described as a blend of QVC and Twitter and Twitch and they just got a new slice of money from investors like Drake and Live Nation to expand into physical events.

There’s been a bunch of attempts at this kind of hybrid event shopping experience, but none of them have quite hit a home run yet. NTWRK was a pretty compelling experience even at launch last year. The core experience is a live show presented only in NTWRK’s app, where guests can talk about products which become available in the app as the show airs.

There was a built in opportunity to offer limited availability streetwear and sneakers, and an audience that founder Aaron Levant knew very well from his time running ComplexCon and Agenda, two big streetwear and marketing shows.

One of the first shows starred Ben Baller and Jeff Staple, and featured a drop of a new colorway of Staple’s iconic Pigeon Dunk from Nike. I tuned in and found the experience to be compelling in its own way. The live show provided context for the product and the interface let you purchase in a couple taps of a button (the shoes sold out immediately and the app inevitably crashed from the rush of hype beasts). The stream and app have gotten more stable since then.

IMG 6407

Since the launch, NTWRK has experimented with various product areas and promotions. The latest funding is enabling expansion back into physical events and some new angles on the NTWRK model.

After getting kicked out of high school in 10th grade, Levant (who had a passion for graffiti) went on to work in graphic design, sales and marketing for an LA streetwear brand. That led to trade show attending and eventually to Levant founding his own show, Agenda in 2003. Agenda got bigger over the next 10 years, becoming one of the biggest action sports, streetwear and lifestyle tradeshows in the world. He sold a majority of Agenda to ReeedPOP, which owns Comic Con and stayed on in a development role. Eventually, he developed other shows including ComplexCon, a smash hit culture and sneaker show in partnership with Complex.

Last year, Levant left to found NTWRK.

“That transition really happened through a conversation that I had with Jimmy Iovine in September of 2017,” Levant told me in an interview last year. “I got introduced to him by a friend. He expressed his interest in a new company for him and his son, and we had similar interests and ideas around that. That night that I met him, I went home, stayed up all night to 4:00 in the morning and wrote the entire business plan for NTWRK.”

Iovine ended up as an investor via the MSA Enterprises vehicle, along with Warner Bros. Digital Networks, LeBron James, Maverick Carter and Arnold Schwarzenegger. Jimmy’s son Jamie is a co-founder and Head of Fandom at NTWRK.

One of Levant’s big takeaways from his time with ComplexCon and Agenda was that the physical audiences were valuable but a digital audience is built to foster through earned media and user-generated content around these lifestyle events.

“There’s 50,000 people in the room but I think there’s probably a million people online who want to engage with those products and that content,” said Levant. “Maybe I felt a little bit like I was using my skill set and I wasn’t extracting the full value out of it because I wasn’t in the e-com or digital media business in the past. I think that was a key unlock for me, how do I do that better with a phase two of my career?”

The past few months have seen a series of high profile launches and collaborations with sneaker and streetwear people. And now, the Live Nation and Drake tie up will lead to artist-driven collections sold on NTWRK’s app, unique ticket access, promo bundles developed by NTWKR and, yes, a new live event called NTWRK Presents that will launch in Q4.

In recent months, Drake sold some of his tour merch exclusively on NTWRK.

Screen Shot 2019 06 26 at 4.32.30 PM

They’ve also been running auctions for rare resell market items like Supreme guitars and sneakers.

The concept of shopping as entertainment is far from new. There’s a reason that the easy buzzphrase people attach to NTWRK is ‘QVC for millennials’. But there has yet to be a platform that has managed to pin together the right culture with the right delivery mechanism at the right time. NTWRK has a chance to do this I believe because Levant has the taste for it, but also because he’s backing into this from a place of understanding when it comes to culture.

Too many times we see the technology of the platform take center stage — a clever delivery mechanism or good design. But, fundamentally, most tech companies are absolutely crap at culture. They’re too homogenic — they do not allow for and encourage the influence of the spaces that they’re catering to.

Black Twitter made Twitter. Creators of color made Vine. Asian and Indian users dominate Whatsapp. But when there is an attempt to engage even niche cultures in commerce or monetization the lack of inclusivity and understanding causes them to just screw up over and over.

Having started with live events that existed primarily as a framework for culture to create its own moments, Levant and NTWRK are in a better position to figure this out. If you’ve ever been to an Agenda or ComplexCon you know what I mean. There’s this pungent melange of culture, music, money, rare goods and ephemeral moment creation happening. The challenge is to make that work in a digital context, of course, and then to sort of ‘re-export’ that back into event formats.

“I think that, as I’ve said countless times, physical events have a huge organic digital ripple, but we needed the digital platform to already be established and scalable before we implemented the physical events, to have an effect on the larger digital platform,” Levant says about moving NTWRK into an IRL context. “In my previous roles, I spent 15 years really focusing on the physical experiential events and towards the end of my career doing that I came to the realization I was doing it backwards.”

I don’t necessarily think that this model’s going to work for everybody. I think Levant and co have a unique skill of bringing people together and I think the celebrity thing is a strong overall angle – right down to the investors.

“Obviously Drake is an icon that has massive influence over all of pop culture and I think there are few people in that category of him that can capture consumer’s imagination,” says Levant. “I couldn’t think of someone better than him to be involved with our company.”

There are other angles too, though, that still have the same thing at the core. NTWRK is creating this engaged audience and they’re giving them value and then offering them a very on-the-face, honest transaction: “Look, here’s this thing. If you buy it, we benefit. Thanks, peace.”

That kind of interaction model is foreign to media because of this idea that advertising is the only gain and the only way to build that monetary relationship. I think people are going to start to get wise to that but they still are very resistant.

“We were out there, talking to every brand and every agency in the world and it’s really interesting to watch who gets it and who’s totally confused,” said Levant when we spoke about the launch. “It’s really fun to have these conversations because people are just like, ‘Wait, what are you doing?’

They have a really hard time grasping it and they don’t know who we should talk to. Should we be talking to the media buying team? Should we be talking to the wholesale team? Should we talk to the PR team? I’m like, ‘No, we’re talking to everybody.””

“Companies tend to divide their business up into these silos, these business units and these internal categories and they usually don’t collaborate and play well together and when you get these big, global organizations, their head’s spinning because they don’t know who we should talk to because no one’s done this one-to-one yet.”

Right now as I write this I’m watching Bobby Hundreds talk live about his memoir This is Not A T-Shirt — while selling a bundle that includes the book and, yes, a t-shirt. Hundreds (Bobby Kim), built a streetwear brand when it was definitely not a thing to build a streetwear brand.

The bundle runs $50. I’m thinking about buying it.



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Apple hires leading ARM chip designer

Apple has clearly spent the last several years dreaming of a world where it didn’t have to rely on third-parties to create its components. The hardware giant has already taken a number of steps in that direction with its own in-house chips, and a recent hire points at an even bigger push.

Per his LinkedIn account, former ARM Lead CPU Architect Mike Filippo joined up with Apple last month, following a 10 year stint with the semiconductor company. The move notably follows the exit of Apple chip design lead Gerard Williams III, back in March. Filippo appears perfectly suited for the role, having played a key part in a many of ARM’s virtually ubiquitous designs. He previously spent several years at both Intel and AMD.

ARM confirmed Filippo’s exit in a statement offered to Bloomberg. “Mike was a long-time valuable member of the ARM community,” the company said. “We appreciate all of his efforts and wish him well in his next endeavor.” Apple, on the other hand, has yet to officially confirm the move.

The company has increasingly looked to develop its own components in house. For some time now, it has purportedly been looking to ditch Intel processors for its own on Mac devices. It’s also said to be dabbling with its own chips for a long-rumored AR headset.

Along with the company’s long standing desire to developa complete bottom, up product experience in-house, doing so would greatly lessen its reliance on other companies. Those issues have been highlighted by moves like its recent decision to play nice with Qualcomm as it looks forward to the release of a 5G iPhone.



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