Tuesday, 21 April 2020

Apple’s new Fraggle Rock series was shot on iPhones in its creators’ homes

There are few more messages more timely than the opening line, “Dance your cares away, worry’s for another day” (or is it “worries?”). Today the familiar Fraggle Rock bass line returns, along with the titular felt underground dwellers, as the first of a new series of mini-episodes hits Apple TV+.

Apple’s streaming service will post free short episodes of Fraggle Rock: Rock On! each Tuesday, starring a familiar parade of Muppets, including Gobo, Red, Boober, Mokey, Wembley, Uncle Traveling Matt and those poor, hardworking Doozers.

Arguably even more interesting than the show itself are the circumstances of its production. As the global COVID-19 pandemic has brought television production to a screeching halt, the show’s producers have taken to creating the show remotely. “In accordance with the Covid-19 ‘Safer at Home’ guidelines,” Apple writes in a release, “Fraggle Rock: Rock On! is all shot on iPhone 11 phones from the homes of the production team and individual artists from all over the U.S.”

If nothing else, the current pandemic has proven how creative people can be with an internet account and a lot of free time. It already has already reshaped how we view musical and comedy performances, as a long parade of creatives have opened their homes to the internet. A new Fraggle Rock series demonstrates what can be done when you add a bit of production values into the mix.

The series joins a number of familiar childhood properties being revamped for the platform, including Peanuts (Snoopy in Space) and Ghostwriter.



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Apple’s new Fraggle Rock series was shot on iPhones in its creators’ homes

There are few more messages more timely than the opening line, “Dance your cares away, worry’s for another day” (or is it “worries?”). Today the familiar Fraggle Rock bass line returns, along with the titular felt underground dwellers, as the first of a new series of mini-episodes hits Apple TV+.

Apple’s streaming service will post free short episodes of Fraggle Rock: Rock On! each Tuesday, starring a familiar parade of Muppets, including Gobo, Red, Boober, Mokey, Wembley, Uncle Traveling Matt and those poor, hardworking Doozers.

Arguably even more interesting than the show itself is the circumstances of its production. As the global COVID-19 pandemic has brought television production to a screeching halt, the show’s producers have taken to creating the show remotely. “ In accordance with the Covid-19 ‘Safer at Home’ guidelines,” Apple writes in a release, “Fraggle Rock: Rock On! is all shot on iPhone 11 phones from the homes of the production team and individual artists from all over the U.S.”

If nothing else, the current pandemic has proven how creative people can be with an internet account and a lot of free time. It’s already has already reshaped how we view musical and comedy performances as a long parade of creatives have opened their homes to the internet. A new Fraggle Rock series demonstrates what can be done when you add a bit of production values into the mix.

The series joins a number of familiar childhood properties being revamped for the platform, including Peanuts (Snoopy in Space) and Ghostwriter.



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Apple expands App Store, Music, iCloud and other services to dozens of additional markets

Apple said today it is launching its services App Store, Apple Podcasts, iCloud, and Apple Music to dozens of new additional markets in Africa, Europe, Asia-Pacific, and Middle East among others in what is one of the biggest geographical pushes from one of the world’s biggest firms.

The App Store, Apple Arcade, Apple Podcasts, and iCloud are now available in 20 additional markets, whereas the iPhone-maker’s music streaming service Apple Music has launched in an additional 52 nations.

The App Store, Apple Arcade, Apple Music, Apple Podcasts and iCloud are now available in the following countries and regions:

  • Africa: Cameroon, Côte d’Ivoire, Democratic Republic of the Congo, Gabon, Libya, Morocco, Rwanda, and Zambia.
  • Asia-Pacific: Maldives and Myanmar.
  • Europe: Bosnia and Herzegovina, Georgia, Kosovo, Montenegro, and Serbia.
  • Middle East: Afghanistan (excluding Apple Music) and Iraq.
  • Oceania: Nauru (excluding Apple Music), Tonga, and Vanuatu.

Apple Music is expanding to the following countries and regions:

  • Africa: Algeria, Angola, Benin, Chad, Liberia, Madagascar, Malawi, Mali, Mauritania, Mozambique, Namibia, Republic of the Congo, Senegal, Seychelles, Sierra Leone, Tanzania, and Tunisia.
  • Asia-Pacific: Bhutan.
  • Europe: Croatia, Iceland, and North Macedonia.
  • Latin America and the Caribbean: the Bahamas, Guyana, Jamaica, Montserrat, St. Lucia, St. Vincent and the Grenadines, Suriname, Turks and Caicos, and Uruguay.
  • Middle East: Kuwait, Qatar, and Yemen.
  • Oceania: Solomon Islands.

“We’re delighted to bring many of Apple’s most beloved Services to users in more countries than ever before,” said Oliver Schusser, Apple’s vice president of Apple Music and International Content, in a statement.

“We hope our customers can discover their new favorite apps, games, music, and podcasts as we continue to celebrate the world’s best creators, artists, and developers,” he added.

App Store is now available in 175 countries and regions, whereas Apple Music has reached 167 markets.



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Monday, 20 April 2020

Daily Crunch: Apple’s new Magic Keyboard, reviewed

The new Magic Keyboard is good, Uber launches new delivery services and Facebook releases its Gaming app ahead of schedule.

Here’s your Daily Crunch for April 20, 2020, a totally regular date with no cultural significance whatsoever. Also, just a reminder: We’re holding our first Extra Crunch Live session, with Aileen Lee and Ted Wang, at 1:30pm Eastern!

1. Apple’s Magic Keyboard review: Laptop-class typing comes to iPad Pro

TechCrunch’s Editor in Chief Matthew Panzarino says that, for the past two years, he’s typed nearly every word while traveling on the iPad Pro’s Smart Keyboard Folio. Even so, he acknowledged that, aside from its reliability and durability, the Keyboard Folio kind of stinks.

In contrast, the new Magic Keyboard is a first-class typing experience, full stop.

2. Uber adds retail and personal package delivery services as COVID-19 reshapes its business

Uber Direct is a delivery platform for retail items, while Connect is a peer-to-peer package delivery service for sending goods to family and friends. This marks the most aggressive foray yet for Uber into courier services after it already introduced grocery items to its Uber Eats platform.

3. Facebook’s new Gaming app launches on Android, with iOS version coming soon

The social media giant pushed the app out two months prior to its scheduled unveiling — amid a global pandemic that’s left people all over the world isolated at home, rapidly burning through entertainment options.

4. Hundreds of academics back privacy friendly coronavirus contact tracing apps

A letter, signed by nearly 300 academics and published Monday, praised recent announcements from Apple and Google to build an opt-in and decentralized way of allowing individuals to know if they have come into contact with someone confirmed to be infected with the novel coronavirus.

5. Top investors predict what’s ahead for Boston’s VC scene in Q1

While Boston’s startup market announced a number of huge rounds that bolstered its total venture dollars raised in the first quarter, there were signs of weakness: Deal volume was still a little under the pace set in 2018. (Extra Crunch membership required.)

6. Marc Andreessen’s call to arms: build something meaningful

In a new essay published over the weekend, Andreessen writes that to “reboot the American dream” we need to “demand more of our political leaders, of our CEOs, our entrepreneurs, our investors. We need to demand more of our culture, of our society. And we need to demand more from one another. We’re all necessary, and we can all contribute, to building.”

7. This week’s TechCrunch podcasts

The latest full-length episode of Equity discusses Robinhood’s plans to raise new capital, while the Monday news roundup looks at the U.K.’s financial aid for startups. And on Original Content, we reviewed “Tigertail” and the full season of “Devs” (both are good, but everyone should be watching “Devs”).

The Daily Crunch is TechCrunch’s roundup of our biggest and most important stories. If you’d like to get this delivered to your inbox every day at around 9am Pacific, you can subscribe here.



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Apple’s Magic Keyboard Review: Laptop class typing comes to iPad Pro

Over the past two years, I’ve typed nearly every word I’ve written while traveling on the iPad Pro’s Smart Keyboard Folio. For more on why you can see my iPad Pro review here.

For the purposes of this look at the new Magic Keyboard, though, you should probably just know two things:

  1. It was reliable, incredibly durable and never once failed me.
  2. It kind of stunk in every other way.

The Keyboard Folio’s plastic coated surface made it impervious to spills, but it also made the keys much less responsive. It rendered them unable to give your fingers the feedback necessary to confirm that a key had been struck, leading me to adopt a technique where I just hit every key with maximum strength at all times.

The new Magic Keyboard is as different from that device as the new MacBook Pro keyboards are from the low profile ones that dominated headlines over the last couple of years. It’s a huge jump forward in usability for the iPad Pro — and for last year’s model too.

I am very relieved I don’t have to slam my fingers onto the plastic keyboard anymore, because over long and fast typing sessions I could feel a numbness that would begin to radiate from the tips of my fingers a bit. An enervation of sorts. It wasn’t precisely painful but it was noticeable.

The Magic Keyboard offers a lovely, backlit deck that holds its own against the 16” MacBook Pro and the new MacBook Air for best portable keyboards. The key travel is excellent — in between the two laptops in my opinion — and the feel is tight, responsive and precise. This is a first class typing experience, full stop.

I’ve been testing the three keyboards alongside one another for the past few days and I can’t stress enough how stable the keys are. Even the MacBook Air allows a tiny bit of key shift if you touch your finger to it and gently circle it — though the MacBook Pro is better. There’s such a small amount of that here that it’s almost imperceptible.

It’s a tad spongier than the 16” MBP but more firm than the MacBook Air, which has a bit more return and travel. In my opinion, this keyboard is ‘louder’ (due to the plastic casing being more resonant than the aluminum), than the 16” MBP, but about the same as the MacBook Air. The throw feels similar to the 16” though, with the Air being slightly deeper but ‘sloppier’.

So a hybrid between those two keyboards as far as feel goes, but a clear descendant of the work that was done to turn those offerings around.

Construction

Among my biggest concerns was that Apple would get overly clever with the hinge design, making the the typing an exercise in wobble. Happy to say here that they took the clear path here and made it as sturdy as possible, even if that was at the cost of variability.

The hinge is a simple limit stop design that opens far less than you’d expect and then allows a second hinge to engage to open in an arc between the 80 and 130 degrees. The 90 degree and fully open positions basically mimic the angles that were offered by the grooves of the Keyboard Folio — but now you can choose any in-between position that feels natural to you.

Apple has obviously put this hard stop fold out limit in place to maintain balance on tables and laps, and its clever use of counter opposing forces with the second hinge combines to limit tipping and to make typing on a lap finally a completely viable thing to do. The fact that you don’t have to hammer the keyboard to type also makes this a better proposition.

For typing, these positions should be just fine for the vast majority of users. And the solid (very high friction) hinge means that the whole thing is very sturdy feeling, even with more moving parts. I have been quite comfortable grabbing the whole assembly of the 12.9” iPad Pro plus Magic Keyboard by the deck of the keyboard and carrying it around, much in the way I’d carry a laptop. No worries about accidental floppiness or detachment.

At the same time, the new design that floats the iPad in the air allows you to quickly pop it off with little effort by either your left or right hand. This makes the Magic Keyboard take on the use case of a desktop based dock, something that never felt right with the Keyboard Folio.

The touchpad physically moves here, and is not a haptic pad, but it is clickable across its entire surface. It’s also a laptop-class trackpad, proving that Apple’s engineering teams still have a better idea about how to make a trackpad that works crisply and as expected than any other hardware team out there.

I do love the soft touch coating of the case itself, but I believe it will wear in a similar fashion to these kinds of surfaces on other devices. It will likely develop shiny spots on either side of the trackpad on the hand rest areas.

The responsive half arrow keys are extremely welcome.

Some other details, quirks and upper limits

The camera placement situation is much improved here, as you’re less likely to hold the left side of the iPad to keep it stable. The lift of the keyboard (at times about an inch and a bit) means that the eye line, while still not ideal, is improved for zoom calls and the like. Less double chin up the nose action. Apple should still move the iPad Pro’s camera on future versions.

The keyboard’s backlight brightness is decent and adjustable in the settings pane once it’s attached to iPad Pro. The unit did use more battery in my tests, though I haven’t had it long enough to assign any numbers to it. I did notice during a recent Facetime call that the battery was draining faster than it could charge, but that is so far anecdotal and I haven’t had the time to reproduce it in testing.

This is not the case that artists have been waiting for. This case does not rotate around backwards like the keyboard folio, meaning that you’re going to be popping it off the case if you’re going to draw on it at all. In some ways the ease of removal feels like an Apple concession. ‘Hey, we couldn’t fit all this in and a way to position it at a drawing angle, so we made it really easy to get it loose.’ It works, but I hope that more magic happens between now and the next iteration to find a way to serve both typing and drawing in one protected configuration.

A little quirk: when it’s tilted super far back to the full stop I sometimes nick the bottom edge of the iPad with my fingers when hitting numbers — could be my typing form or bigger hands but I thought it worth mentioning.

It’s a bit heavy. At 700g for the 12.9” keyboard, it more than doubles the weight of the whole package. The larger iPad Pro and keyboard is basically the weight of a MacBook Air. Get the 11” if weight is a concern. This keyboard makes the iPad 12.9″ package feel very chunky. The

The fact that this keyboard works on the older iPad Pro (the camera just floats inside the cutout) means that this is a fantastic upgrade for existing users. It really makes the device feel like it got a huge upgrade without having to buy a new core unit, which fits with Apple’s modular approach to iPad Pro and also stands out as pretty rare in a world where the coolest new features are often hardware related and new device limited.

At $300 and $350 for each size of Magic Keyboard, the price is something you must think about up front. Given that it is now easily the best keyboard available for these devices I think you need to consider it a part of the package price of the device. If you can’t swing that, consider another option — it’s that good.

I’d love more angles of use here and I’m hoping that they include more — that said! If you work seriously with the iPad and that work is based on typing, the Magic Keyboard is essentially mandatory. It’s the dream keyboard for all of us who found ourselves crossing the Rubicon into iPad as primary computer over the past couple of years. It’s not without its caveats, but it is a refreshingly straightforward and well executed accessory that makes even older iPads feel like better laptops than laptops.



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Saturday, 18 April 2020

This Week in Apps: Layoffs at VSCO, Google Play’s new guidelines, TikTok rolls out parental controls

Welcome back to This Week in Apps, the Extra Crunch series that recaps the latest OS news, the applications they support and the money that flows through it all.

The app industry is as hot as ever, with a record 204 billion downloads in 2019 and $120 billion in consumer spending in 2019, according to App Annie’s “State of Mobile” annual report. People are now spending 3 hours and 40 minutes per day using apps, rivaling TV. Apps aren’t just a way to pass idle hours — they’re a big business. In 2019, mobile-first companies had a combined $544 billion valuation, 6.5x higher than those without a mobile focus.

In this Extra Crunch series, we help you keep up with the latest news from the world of apps, delivered on a weekly basis.

This week we’re continuing to look at how the coronavirus outbreak is impacting the world of mobile applications, including a dig into Houseparty’s big surge, layoffs at VSCO, Google’s launch of a “Teacher Reviewed” tag, Bumble’s virtual dating, plus changes to Instagram in support of small business and live streaming, among other things. Also this week, Google changed its Play Store guidelines, TikTok launched parental controls, a report suggested Apple may be expanding its Search Ads and more.

Coronavirus Special Coverage

Instagram adds features for supporting small businesses during pandemic



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What is contact tracing?

One of the best tools we have to slow the spread of the coronavirus is, as you have no doubt heard by now, contact tracing. But what exactly is contact tracing, who does it and how, and do you need to worry about it?

In short, contact tracing helps prevent the spread of a virus by proactively finding people at higher risk than others due to potential exposure, notifying them if possible, and quarantining them if necessary. It’s a proven technique, and smartphones could help make it even more effective — but only if privacy and other concerns can be overcome.

Contact tracing, from memory to RAM

Contact tracing has been done in some form or another as long as the medical establishment has understood the nature of contagious diseases. When a person is diagnosed with an infectious disease, they are asked whom they have been in contact with over the previous weeks, both in order to determine who may have been infected by them and perhaps where they themselves were infected.

Until very recently, however, the process has relied heavily on the recall of people who are in a highly stressful situation and, until prompted, were probably not paying special attention to their movements and interactions.

This results in a list of contacts that is far from complete, though still very helpful. If those people can be contacted and their contacts likewise traced, a network of potential infections can be built up without a single swab or blood drop, and lives can be saved or important resources better allocated.

You might think that has all changed now what with modern technology and all, but in fact contact tracing being done at hospitals right now is almost all still of the memory-based kind — the same we might have used a hundred years ago.

It certainly seems as if the enormous digital surveillance apparatus that has been assembled around us over the last decade should be able to accomplish this kind of contact tracing easily, but in fact it’s surprisingly useless for anything but tracking what you are likely to click on or buy.

While it would be nice to be able to piece together a contagious person’s week from a hundred cameras spread throughout the city and background location data collected by social media, the potential for abuse of such a system should make us thankful it is not so easy as that. In other, less dire circumstances the ability to track the exact movements and interactions of a person from their digital record would be considered creepy at best, and perhaps even criminal.

But it’s one thing when an unscrupulous data aggregator uses your movements and interests to target you with ads without your knowledge or consent — and quite another when people choose to use the forbidden capabilities of everyday technology in an informed and limited way to turn the tide of a global pandemic. And that’s what modern digital contact tracing is intended to do.

Bluetooth beacons

All modern mobile phones use wireless radios to exchange data with cell towers, Wi-Fi routers, and each other. On their own, these transmissions aren’t a very good way to tell where someone is or who they’re near — a Wi-Fi signal can travel 100 to 200 feet reliably, and a cell signal can go miles. Bluetooth, on the other hand, has a short range by design, less than 30 feet for good reception and with a swiftly attenuating signal that makes it unlikely to catch a stray contact from much further out than that.

We all know Bluetooth as the way our wireless earbuds receive music from our phones, and that’s a big part of its job. But Bluetooth, by design, is constantly reaching out and touching other Bluetooth-enabled devices — it’s how your car knows you’ve gotten into it, or how your phone detects a smart home device nearby.

Bluetooth chips also make brief contact without your knowledge with other phones and devices you pass nearby, and if they aren’t recognized, they delete each other from their respective memories as soon as possible. But what if they didn’t?

The type of contact tracing being tested and deployed around the world now uses Bluetooth signals very similar to the ones your phone already transmits and receives constantly. The difference is it just doesn’t automatically forget the other devices it comes into contact with.

Assuming the system is working correctly, what would happen when a person presents at the hospital with COVID-19 is basically just a digitally enhanced version of manual contact tracing. Instead of querying the person’s fallible memory, they query the phone’s much more reliable one, which has dutifully recorded all the other phones it has recently been close enough to connect to. (Anonymously, as we’ll see.)

Those devices — and it’s important to note that it’s devices, not people — would be alerted within seconds that they had recently been in contact with someone who has now been diagnosed with COVID-19. The notification they receive will contain information on what the affected person can do next: Download an app or call a number for screening, for instance, or find a nearby location for testing.

The ease, quickness, and comprehensiveness of this contact tracing method make it an excellent opportunity to help stem the spread of the virus. So why aren’t we all using it already?

Successes and potential worries

In fact digital contact tracing using the above method (or something very like it) has already been implemented with millions of users, apparently to good effect, in east Asia, which of course was hit by the virus earlier than the U.S. and Europe.

In Singapore the TraceTogether app was promoted by the government as the official means for contact tracing. South Korea saw the voluntary adoption of a handful of apps that tracked people known to be diagnosed. Taiwan was able to compare data from its highly centralized healthcare system to a contact tracing system it began work on during the SARS outbreak years ago. And mainland China has implemented a variety of tracking procedures through mega-popular services like WeChat and Alipay.

While it would be premature to make conclusions on the efficacy of these programs while they’re still underway, it seems at least anecdotally to have improved the response and potentially limited the spread of the virus.

But east Asia is a very different place from the U.S.; we can’t just take Taiwan’s playbook and apply it here (or in Europe, or Africa, etc.), for myriad reasons. There are also valid questions of privacy, security, and other matters that need to be answered before people, who for good reason are skeptical of the intentions of both the government and the private sector, will submit to this kind of tracking.

Right now there are a handful of efforts being made in the U.S., the largest profile by far being the collaboration between arch-rivals Apple and Google, which have proposed a cross-platform contact tracing method that can be added to phones at the operating system.

The system they have suggested uses Bluetooth as described above, but importantly does not tie it to a person’s identity in any way. A phone would have a temporary ID number of its own, and as it made contact with other devices, it exchanges numbers. These lists of ID numbers are collected and stored locally, not synced with the cloud or anything. And the numbers also change frequently so no single one can be connected to your device or location.

If and only if a person is determined to be infected with the virus, a hospital (not the person) is authorized to activate the contact tracing app, which will send a notification to all the ID numbers stored in the person’s phone. The notification will say that they were recently near a person now diagnosed with COVID-19 — again, these are only ID numbers generated by a phone and are not connected with any personal information. As discussed earlier, the people notified can then take whatever action seems warranted.

MIT has developed a system that works in a very similar way, and which some states are reportedly beginning to promote among their residents.

Naturally even this straightforward, decentralized, and seemingly secure system has its flaws; this article at the Markup gives a good overview, and I’ve summarized them below:

  • It’s opt-in. This is a plus and a minus, of course, but means that many people may choose not to take part, limiting how comprehensive the list of recent contacts really is.
  • It’s vulnerable to malicious interference. Bluetooth isn’t particularly secure, which means there are several ways this method could be taken advantage of, should there be any attacker depraved enough to do so. Bluetooth signals could be harvested and imitated, for instance, or a phone driven through the city to “expose” it to thousands of others.
  • It could lead to false positives or negatives. In order to maintain privacy, the notifications sent to others would contain a minimum of information, leading them to wonder when and how they might have been exposed. There will be no details like “you stood next to this person in line 4 days ago for about 5 minutes” or “you jogged past this person on Broadway.” This lack of detail may lead to people panicking and running to the ER for no reason, or ignoring the alert altogether.
  • It’s pretty anonymous, but nothing is truly anonymous. Although the systems seem to work with a bare minimum of data, that data could still be used for nefarious purposes if someone got their hands on it. De-anonymizing large sets of data is practically an entire domain of study in data science now and it’s possible that these records, however anonymous they appear, could be cross-referenced with other data to out infected persons or otherwise invade one’s privacy.
  • It’s not clear what happens to the data. Will this data be given to health authorities later? Will it be sold to advertisers? Will researcher be able to access it, and how will they be vetted? Questions like these could very well be answered satisfactorily, but right now it’s a bit of a mystery.

Contact tracing is an important part of the effort to curb the spread of the coronavirus, and whatever method or platform is decided on in your area — it may be different state to state or even between cities — it is important that as many people as possible take part in order to make it as effective as possible.

There are risks, yes, but the risks are relatively minor and the benefits would appear to outweigh them by orders of magnitude. When the time comes to opt in, it is out of consideration for the community at large that one should make the decision to do so.



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